The accommodation is spacious, comprising 62 luxury villas, of which two are Beach Villa Suites with private outdoor living areas. At the luxury Maldives resort guests can choose from thatched Beach Villas with large beachside porticos or the Water Villas, with private decks looking out to the lagoon. All offer unrivalled views of the sea and outdoor shower areas for private relaxation.
Each Villa is equipped with mod cons such as LCD TVs, iPod connectivity and WiFi. The two Beach Villa Suites are the pièce de la resistance for families, each featuring two bedrooms, a large outdoor wooden deck with plunge pool and shaded sun loungers looking out to the sea. Guests here can experience personalised butler service.
Foodies won’t be disappointed with the luxury Maldives Island. Guests can choose from three gastronomic delights. The All-Day Dining restaurant, Latitude, offers Pan-Asian flavours from the Indian Ocean including Thai, Indonesian, Maldivian and Coastal Indian cuisine. The Hembadhu Grill – an alfresco dining experience. Water lovers can opt for the secret ‘Sandbank’ picnic location, surrounded by water only accessible at low tide. The open air Reef Bar offers welcome respite from the day’s activities and an ideal spot to contemplate the tranquil island setting.
In addition, the luxury Eco-friendly resort has installed an in house water bottling plant, which provides complimentary still and sparkling water to guests.
Located on Hembadhu Island, the luxury Maldivian resort is less than 32 kilometers from Male airport. Once you arrive you won’t want to leave.
Bridgehampton-based design studio Stelle Architects has designed the House by the Pond project. The luxury two-storey property can be found in Water Mill, New York, USA.
According to the architects: “The overall design of the contemporary New York house was a direct response to an array of environmental regulations, site constraints, solar orientation and specific programmatic requirements.
“The strategy was to locate a two-storey volume that contained all of the bedrooms and baths, running north/south, along the western side of the site. An open, lofty, single storey pavilion, separated by an interstitial space comprised of two large glass pivot doors, was located parallel to the street. This lower scale street front pavilion was conceived as a breezeway. It connects the light and activity of the yard and pool area to the south with the view and wildlife of the pond to the north.
“The exterior materials used in the contemporary New York property consist of anodized aluminum doors, windows and trim, cedar and cement board siding. They were selected for their low maintenance, modest cost, long-term durability, and sustainable nature. Overhangs and sunshades limit the need for summer air conditioning while allowing solar heat gain in the winter.
“Specific zoning, an efficient geothermal heating and cooling system, highly energy efficient glazing and an advanced building insulation system resulted in a structure that exceeded the requirements of the energy star rating system.”
Barcelona-based design studio OAB has completed the AA House project. Completed in 2010, this contemporary property can be found in Barcelona, Spain.
According to the architects: “The design scheme for the contemporary Spanish property responds to simple geometric rules.
“The footprint of the building uses a superimposed 7×7 meter skewed grid to support the property in a composition similar to a musical score. The diagonals serve as a roof system that ungulates like an artificial topography, creating skylights in some cases, while in others situations, rising up double the height of other rooftop peaks.
“At the base floor, the project develops a direct relationship between the interior and exterior through the abundant use of glasswork, trellises, and sliding panels. This allows a visual connection to the garden for the following spaces: the rooms, halls, library, dining rooms, kitchen, main bedroom and guest suites.
“Vertically consistent relationships exist between the main floor and adjacent floors, always responding to the programmatic demands, and therefore completing the three dimensional continuity of the contemporary Spanish house.
“The areas on the lower floor are service areas of the main program, such as a cellar communicating directly with the dining room, a video library communicating with the library; an inside swimming pool and Turkish bath, an extension of the main bedroom, and a service flat leading directly to the kitchen areas.
“The upper level serves as the Piano Nobile, or private level, from which a direct relationship to the surrounding landscape is still maintained through the use of glazing.
“The layout is completed with private access to the patio. The secluded position contrasts the luminous presentation of the property. Ceramic tiles are used as cladding on the rooftops as well as the perimeter walls. Light enters at specific points of the house where large sections of glazing complete the building.”
According to the architects: “The conceptual drive for the interior of this house is largely in response to a brief which crystallised into a need to be connected with ‘green’ space. Beyond the heritage front the project wanted to not necessarily increase floor area but to increase amenity. To make spaces feel bigger, more functional, to be light filled, and to visually extend and borrow from within and beyond the site.
“The contemporary Melbourne property is not only about a coloured front door but the experience of what’s beyond it. Conceptually beyond this green door, there are no doors; the newer space is about flow and continuity where delineation of space is soft nd less finite than expected from the street. In a clear formal idea the rear composes three extruded white cubes that look essentially like they have been let go, landing like dice randomly on top of each other next to a Victorian ‘monopoly’ house. The three cubes, as with the existing villa, are composed so as to be immediately deciphered internally or externally and in clear programmatic zones all house different functions. The cubes which are opened at their ends (or sides where required) are utilised as devices to orchestrate views to green elements within the structure and to greenery within or beyond the site.
“The client requested a predominantly white interior with a feature highlight colour. Green became an obvious choice, working in combination with the proximity of the garden. The green spaces within and beyond the site became the focus with the white cubes acting as lens for these events – effectively assisting in bringing the green inside and dissolving barriers of enclosure. In this way interior, exterior, landscape & old and new – through colour – all inform each other with equal importance.
“The contemporary Melbourne property utilises many ESD principles – retention of existing structure, orientation and configuration of new works and so forth.”
It’s been a busy week here in the warehouse, here are a few highlights.